Film Review: The Old Man & the Gun (2018)
Robert Redford’s alleged swan song film, The Old Man & The Gun, goes against the old adage: finish on a high note. Considering the…
Film Review: Roma (2018)
Roma appears to be the biggest independent hit of this year. So avant-garde that Netflix is not only producing it, but giving it a…
Film Review: Suspiria (2018)
Luca Guadagnino refers to his latest feature Suspiria as a cover version rather than a remake. It’s a fair call; the redo bears little resemblance…
Film Review: In Like Flynn (2018)
Based on the novel Beam Ends by Errol Flynn, In Like Flynn is a memoir of the adventures and life of the man before…
Film Review: Venom (2018)
There are three things missing from Venom. A good story, clear direction and an R rating. What it does have going for it manages to…
Film Review: Don’t Worry, He Won’t Get Far on Foot (2018)
Don’t Worry, He Won’t Get Far on Foot is a return to form for Gus Van Sant after the underwhelming Sea of Trees. Joaquin…
Film Review: The House with a Clock in Its Walls (2018)
Director Eli Roth takes a well deserved break from traumatising adults and embarks on a new challenge with The House With a Clock in…
Film Review: The Flip Side (2018)
Adelaide. Known for its great wine and churches, the city has a rich connection to Aussie cinema. The alumni of its shooting locale includes…
Film Review: The Meg (2018)
With Summer coming to an end (in the tinsel town hemisphere at least) what better time than now to release an audacious beach blockbuster?…
Film Review: Funny Cow (2017)
Funny Cow is the stage name, and only credited name, of the film’s heroine. A dishevelled soul, battling low self worth, blatant sexism and…