Film Review: Happy End (2017)
One of the true auteurs of cinema, Michael Haneke, returns to the screen with his dark comedy/family drama Happy End. The film is a convoluted tale of a…
Film review: Insidious: The Last Key (2018)
The fourth instalment of the Insidious franchise returns eight years since the break out hit original. In terms of style and content not much…
Film Review: Sweet Country (2017)
Sweet Country is about cruelty in a beautiful land. A bitter country would also be an apt title. Cinematographer and director Warwick Thornton returns…
Film Review: The Shape of Water (2017)
There’s been much anticipation for Guillermo del Toro’s latest feature. With a highly successful festival run (taking home best director and score at the…
Film Review: Wonder Wheel (2017)
Straight out of the swingin’ fifties is Woody Allen’s latest romantic drama Wonder Wheel. It captures the mood, lights and the hopeless romance all rolled up…
Film Review: Jungle (2017)
Daniel Radcliffe returns to the screen as a Ginsberg so soon after his 2013 turn as Allen Ginsberg in Kill Your Darlings. Although it’s spelled…
Film Review: The Ornithologist (2016)
If you had John Waters remake Andrei Tarkovsky’s 1979 Stalker the result might end up resembling The Ornithologist, the latest feature from Portuguese arthouse director…
Film Review: The Midwife (2017)
The Midwife is a relationship-focused movie centered specifically around the relationship of protagonist Claire and antagonist Beatrice, played by two great Catherine’s of French…
Film Review: The Snowman (2017)
With a decent hiatus between innings it’s with great anticipation audiences were looking forward to Tomas Alfredson’s directorial return. Coming off the back of Tinker…
Film Review: Blue (2017)
Blue is a series of provocative vignettes on the state of our oceans. Director Karina Holden delivers a wake-up call for all of us…