Film Review: The Merger (2018)
There are a few Australian traditions which are at once unifying and divisive – small rituals which exclude some and divide us into “teams” and…
Film Review: C’est la Vie! (2017)
There is a sub-genre of comedy which audiences either love or hate, and it can be summed up succinctly as “awkward comedy”. You may…
Film Review: On Chesil Beach (2017)
In these cynical, post-truth times we live in, the bittersweet sting of nostalgia and young love can be an alluring drawcard for the jaded…
Film Review: Best F(r)iends: Volume 1 (2017)
In cinema there is a phenomena known as the “Cult” film. A film can become a cult classic for a number of reasons, but…
Film Review: Disobedience (2017)
Hot on the heels of his recent Best Foreign Language Film Oscar win for A Fantastic Woman, Chilean director Sebastián Lelio writes and directs…
Film Review: Murder on the Orient Express (2017)
Agatha Christie’s most famous work has been adapted for the big screen, silver screen and television, on no less than five occasions, with varying…
Film Review: Professor Marston and the Wonder Women (2017)
After taking the film world, and indeed the world in general, by storm, Wonder Woman is now officially the highest grossing superhero origin film…
Film Review: The LEGO Ninjago Movie (2017)
It seems only yesterday that The Lego Batman Movie was gracing silver screens across the country. Now we have another instalment in the LEGO…
Film Review: 20th Century Women (2016)
Released in the States last year and in contention for a Best Original screenplay at this year’s Oscars, it wouldn’t be a surprise if…
Film Review: King Arthur: Legend of the Sword (2017)
Despite the success of Guy Ritchie’s Sherlock Holmes franchise (let’s be fair, he did manage to make more than one and there are rumours…