Film Review: The Ghost of Peter Sellers (2018)
byOne of my favourite things that Roger Ebert said was “movies are the most powerful empathy machine in all the arts”. It speaks so…
Film
Film Review: J.R. ‘Bob’ Dobbs and the Church of the SubGenius (2019)
byWe’re living in the upside-down world. The jokers are in charge. Supporters are cults. People are living in feedback loops, their responses programmed and…
Film Review: Ballad of a Righteous Merchant (2017)
byWerner Herzog’s own documentaries are interested in trying to visualise the invisible, in seeing inside the mind, the soul, and exploring the depths and…
Film Review: Spider-Man: Far From Home (2019)
bySpider-Man: Far From Home is the 23rd film in the Marvel Cinematic Universe, and if you are just joining the global phenomenon now then…
Film Review: Mystify: Michael Hutchence (2019)
byIt’s almost impossible to reflect upon INXS these days without referencing the untimely suicide of their lead singer Michael Hutchence in 1997. As such,…
Film Review: Yesterday (2019)
byYesterday isn’t a film to overthink. Don’t get bogged down in the details of how or why its world works, or what the rules…
Film Review: Annabelle Comes Home (2019)
byAnnabelle Comes Home is the seventh continuation of the Conjuring universe. It’s a welcome return to the horror franchise, which seems to go from…
Film Review: Child’s Play (2019)
byWhere do we put Chucky, the homicidal doll, in the pantheon of horror villains? In essence he will always be an elaborate piss-take, a…
Film Review: Claire Darling (2018)
byLa Dernière Folie de Claire Darling (The Final Madness of Claire Darling), or simply Claire Darling in its English release, is based on the…
Film Review: From Music into Silence (2018)
by“Let the beauty of what you love be what you do” – Rumi For the past 23 years Peter Roberts has had one of…