Film Review: I, Anna (2012)
byIn terms of performances, Charlotte Rampling, one of the great and underappreciated actresses over her generation, gives a brave and nuanced performance as the titular character, salvaging a good deal of the film.
In terms of performances, Charlotte Rampling, one of the great and underappreciated actresses over her generation, gives a brave and nuanced performance as the titular character, salvaging a good deal of the film.
A beautifully staged period film, Farewell, My Queen fictionalises the final days of the French monarchy. The opulence and superfluous ceremony that is usually characterised in films about Louis the XVI and his infamous bride Marie Antoinette
The film is everything you would expect – nothing more and nothing less. Wedding Crashers stars Vaughn and Wilson play the only characters they know how to play, and there’s even a cameo from the ubiquitous Will Ferrell.
If you’re willing to suppress rational thought, Fast & Furious 6 is exhilarating and often humorous, sometimes unintentionally so.
Though the highly anticipated release of Baz Luhrmann’s adaptation has been met with stern objection, lovers of the novel will find this newly imagined The Great Gatsby plays more like a love letter to Fitzgerald, thanking him for creating a tragically beautiful tale that transcends the ages and is relevant in a social context, even today.
Directed byJiayi Du, and adapted from a book by Chang Chia-Lu and Cheng Hsiao-Che, the film is quietly absorbing and beautifully shot, and suggests that with enough motivation we harbour resilience and tenacity beyond what we thought possible.
Happiness Never Comes Alone is a perfect date night movie with a fantastic soundtrack, many references to cinema classics such as Casablanca, West Side Story and Singin’ in the Rain, and old school physical comedy so perfectly timed it elicited a rare out loud chortle from this humble reviewer on more than one occasion.
A rock doco in the spirit of The Devil and Daniel Johnston and Anvil! The Story of Anvil, Big Star: Nothing Can Hurt Me is at both immersing and terribly bemusing, leaving the audience to wonder what could have been when the curtain is finally drawn on the would-be super group.
The Hangover Part III sings a bit of a different tune to the two films that came before it – there’s no big night out, no drugs, no booze and no hangover to deal with. This is a heist film with the same goofy, everything goes wrong, chaotic flavour we’ve seen before.
There have been numerous films exploring the various impacts reverberating from the 9/11 terrorist attacks, but The Reluctant Fundamentalist, directed by Mira Nair, adopts a different, more internally-driven perspective.