Written and directed by Dan Mazer (known for his work with Sacha Baron Cohen on such films as Borat and Bruno), I Give It A Year shows you life after marriage for young impulsive couple Nat (Aussie Rose Byrne famous for being the “perfect” bridesmaid in Bridesmaids) and Josh (Rafe Spall).
In many ways, Side Effects is the perfect swan song for Soderbergh. Like many the films in his catalog, it is impeccably made, with the director showing his panache for composition, framing and editing throughout.
It has always been easy for Australian audiences to relate to Stephen Curry. In The Castle, he was the loveable son who liked to dig holes;…
Visually alluring and breathtaking, Cloud Atlas is a triumphant piece of filmmaking that left me wanting more. Which is, after all, quite an impressive and rare feat for a film nearly three hours in length.
Those who will be going to see The Last Stand know what they’re in for. Director Jee-woon Kim’s (The Good, the Bad, the Weird, A Tale of Two Sisters) first Western production is a success in this regard, entertaining from start to finish albeit very, very bloody.
If you want to enjoy Cirque Du Soleil fork out the cash for tickets to Ovo, they are amazing acrobats and masterful characters and performers, but don’t waste the movie ticket money going to see Cirque Du Soleil: World’s Away.
If you’re a fan of teenage fiction, especially the supernatural kind, you’ll anticipate the plot as you go along. Intense adolescent love, implied sex scenes that are powerful enough to quite literally start fires, long gazes with no words spoken, not to mention a bottomless bag-full of tricks, spells and special effects, Richard La Gravenese’s adaptation has it all.
Amour begins with an audience awaiting a performance, mirroring its own audience staring back at its frames. Echoing moments of great auditorium scenes in…
This past weekend, Carlton’s beloved Cinema Nova held some special screenings of this year’s Academy Award nominated Animated and Live Action Shorts. Having been…
Despite its faithfulness, the story is dull and dreary, and neither Stoppard, Wright, nor the actors change the fact. The one exception is Matthew Macfadyen, whose comical and lively performance is a breath of fresh air amongst the turgid, boring love affair being played out before our eyes.