Film Review: Mary Poppins Returns (2018)
byFew can deny the timeless appeal of the original Mary Poppins. Led by the legendary Julie Andrews in her feature debut, the 1964 classic…
Film
Film Review: The Favourite (2018)
byIn modern filmmaking there are few directors who have stamped as unique a footprint as Yorgos Lanthimos. This idiosyncratic Greek is impossible to ignore,…
Film Review: Cold War (2018)
byCold War is about damaged people in a damaged country in a damaged world. Polish director Paweł Pawlikowski’s monochrome follow up, and in some…
Film Review: Ralph Breaks the Internet (2018)
byIn 2012 a lovable, unlikely duo burst onto our screens and forever changed what it means in animation to be a bad guy. Wreck-It…
Film Review: Vice (2018)
byAs Julia Louis-Dreyfus lampoons so wonderfully in her show Veep, the Vice President’s office is notorious for being a powerless vanity title for political…
Film Review: Bumblebee (2018)
byEver since Transformers arrived on cinema screens in 2007 the series has been the great example of the disconnect between critics and ticket buying…
Film Review: Peppermint (2018)
byEvery moment in culture is reflected in the art it produces. In a world changing as swiftly and as fundamentally as the one we…
Film Review: Spider-Man: Into the Spider-Verse (2018)
byIn the seemingly endless stream of Spider-Man films that flow into cinemas every other year, Spider-Man: Into the Spider-verse signals the arrival of a…
Film Review: Mortal Engines (2018)
byMortal Engines is an initially interesting and engaging futuristic tale with an aesthetically pleasing steam punk facade. The film is based on the novel…
Film Review: Second Act (2018)
byChristmas approaches and with it, a slew of feel-good films. Some good, some bad, some utter catastrophes. Second Act, directed by Peter Segal, falls…