Film Review: The King’s Choice (2016)
byWith so much content coming out every year about the Second World War it’s easy to become complacent with just how massive the years…
Foreign
Film Review: The Other Side Of Hope (2017)
byIt’s often argued the best way to deal with dark subject matter is with humour. And so it is apt that Finnish auteur Aki…
Film Review: Kedi (2016)
byEven though they are still just cats doing cat things, it is nice to see beyond internet LOLs in catdom and learn about their importance…
Film Review: Graduation (2016)
byRomanian director Cristian Mungiu has only made five feature films, but in that time he’s won nearly every major award at Cannes, conquered his…
Film Review: The Innocents (2016)
bySet in immediate post-war Poland comes a bleak important tale. It is an excerpt from the real life story of young medical student Madeleine…
Film Review: Things to Come (2016)
byAfter winning the Golden Globe for Elle, Isabelle Huppert returns to the screen for the new Mia Hansen-Løve film Things to Come, a narrative that…
Film Review: Raw (2016)
byCannibal films aren’t in any way novel. Prevalent particularly in the ‘70s, the cannibal film only existed to sicken, shock and horrify audiences. In…
Film Review: Summer 1993 (2017)
byThe age of six is a confusing time to be alive. It is a time when you feel like you’re starting to come to…
Article: Living in the Material World? An Analysis of Personal Shopper
byOlivier Assayas’ psychological thriller Personal Shopper is many things – ‘easy to understand’ is not one of them. It’s a ghost story, a murder…
Film Review: Frantz (2016)
byIn crisp black and white, and unsettling for most of its long running time, autuer François Ozon has remade Ernest Lubitsch’s The Broken Lullaby (76 mins) into Frantz (113…