Film Review: Maiden (2018)
byAs the Me Too era feels like it’s starting to flag, and endless all female reboots of traditionally male franchises has reached peak cringe,…
Film Review: Blinded by the Light (2019)
byBased on the memoir of British journalist Sarfraz Manzoor Greeting From Bury Park: Race, Religion and Rock N’ Roll, Blinded by the Light is…
Film Review: Promised (2019)
byIntent and effort count for a lot but, unfortunately for Promised, it can’t make up for the numerous flaws that reduce this Melbourne production…
Film Review: Locusts (2019)
byIf there’s one thing the Australian film industry is great at, it’s turning our gaze inwards to this country’s dirty underbelly. Australia loves stories…
Film Review: Zombieland 2: Double Tap (2019)
byWith DNA infused with movie metaness and blood (lots and lots of blood) that runs with the spirit of video games, Zombieland 2: Double…
Film Review: The Rise of Jordan Peterson (2019)
byOffering a rare and intimate peak into one of the most interesting men of our age, Patricia Marcia’s The Rise of Jordan Peterson is…
Film Review: Strange But True (2019)
byStrange But True is a puzzle, but ultimately not in the way that it wants to be. It has you guessing to begin with, trying…
Best Books and Guides about Filmmaking you should read
byWell, how many filmmaking books have you read? Every filmmaker should be proactive enough to outsource information from filmmaking books. This is because there…
Film Review: The Portal (2019)
byTwenty minutes into The Portal, you’d be forgiven for not knowing what you’re watching. By this stage, director/writer Jacqui Fifer and co-writer Tom Cronin have introduced…
Film Review: The Eulogy (2018)
byAt the age of 54, destitute and alone, Geoffrey Tozer died in his rented Melbourne home. In a stinging 45-minute obituary Paul Keating, a long-term…