Film Review: Domestique (2018)
byIt was suggested before seeing Domestique, the debut film from Czech writer-director Adam Sedlák, that a hug would be a fitting consolation at the end….
Film Review: The Nun (2018)
byThe hills are alive with the sound of demon nuns and shitty dialogue in The Nun, the next instalment (or technically the first, chronologically)…
Film Review: Hearts Beat Loud (2018)
byGood songs sometimes take a while to get going, and the same could be said of Brett Haley’s drama-cum-musical Hearts Beats Loud. We begin…
Film Review: McQueen (2018)
by“Fashion is the armour to survive the reality of everyday life” – Bill Cunningham. Renowned in both the fashion and artistic worlds, for they…
Film Review: You Were Never Really Here (2017)
byWith four films to her name and an uncommon reverence in the film community, Scottish director Lynne Ramsay has earned the right to be…
Film Review: The Miseducation of Cameron Post (2018)
byIn the long list of crimes that the church has perpetrated over the years, the mental torture and sexual destruction of LGBT youths is…
Film Review: Juliet, Naked (2018)
byNick Hornby’s novels seem to be written for film adaptation. While the novels themselves are generally good in their own right, the films are…
Film Review: The Merger (2018)
byThere are a few Australian traditions which are at once unifying and divisive – small rituals which exclude some and divide us into “teams” and…
Film Review: Wayne (2018)
byReal and unexaggerated ‘Rags to Riches’ tales are a very rare find, so to come across one that not only happened in rural Australia…
Film Review: The Flip Side (2018)
byAdelaide. Known for its great wine and churches, the city has a rich connection to Aussie cinema. The alumni of its shooting locale includes…