Film Review: Ingrid Goes West (2017)
byDirector and co-writer Matt Spicer’s Ingrid Goes West is a smart social media satire, a dark millennial comedy that’s an impressive debut. One that…
Film Review: The Snowman (2017)
byWith a decent hiatus between innings it’s with great anticipation audiences were looking forward to Tomas Alfredson’s directorial return. Coming off the back of Tinker…
Review: National Theatre Live: Yerma (2017)
byAt only 33, Australian actor/director Simon Stone is a name that most diehard theatre lovers will know. If you haven’t, be prepared to hear…
Film Review: Home Again (2017)
byCurrent marketing for Home Again quotes a reviewer who declared it an “instant classic”. And I’m here to tell you that whoever said that…
Film Review: The Pink House (2017)
byThe Pink House aka Questa Casa is a brothel that has been running for 112 years. Situated in the desert town Kalgoorie, 600 kms…
Film Review: Happy Death Day (2017)
byNot to recommend Wikipedia as a trustworthy source, but a quick search for ‘time loops’ will tell you that no less than five films…
Film Review: What If It Works? (2017)
byFilms about mental illness aren’t the easiest things to make. There are so many nuances to understand and avenues to explore, difficulties which are…
Film Review: The Mountain Between Us (2017)
byThere’s nothing wrong with a good old-fashioned love story, and the top of an ice-capped mountain is not a bad place for one. But…
Film Review: Good Time (2017)
byThe opening scene of Good Time (directed by Ben Safdie and Josh Safdie with a screenplay by Josh Safdie and Ronald Bronstein) gestures to its latent,…
Film Review: Blade Runner 2049 (2017)
byThe anticipation around Blade Runner 2049 has been palpable. Given the original’s reputation as one of the most revered films of all time this…