Film Review: The Souvenir (2019)
byIn French ‘souvenir’ means ‘to remember’. Joanna Hogg’s latest film – executive produced by none other than Martin Scorsese – seems to embrace both…
tom burke
Review: National Theatre Live: The Deep Blue Sea (2016)
byIn post-WWII London, Hester Collyer (Helen McCrory) is the wife of a barrister-turned-high court judge. But she wouldn’t say as much. She couldn’t say…
Film Review: Only God Forgives (2013)
byPremiering at this year’s Cannes Film Festival to initial boos, Refn and Gosling’s second joint effort has proven divisive amongst audiences. You can’t deny Refn’s style has a distinctive formality to it, which is very attractive to look at.