Film Review: Star Wars: The Rise of Skywalker (2019)
byFor the third time in under forty years film fans are sitting down to watch the end of a Star Wars trilogy. The ninth…
Adam Driver
Film Review: The Report (2019)
byReleased in 2014 after five years of full time investigation, the ‘Senate Intelligence Committee Report on CIA Torture’ or simply ‘The Torture Report’ was…
Film Review: The Dead Don’t Die (2019)
byThe world is veering off its axis. The moon has the blue shimmer of a stove-top burner. Clocks have stopped working. And in the…
Film Review: The Man Who Killed Don Quixote (2018)
byDirector Terry Gilliam returns with The Man Who Killed Don Quixote, his latest feature film and the one he has been trying to make…
Film Review: BlacKkKlansman (2018)
bySpike Lee has always preferred to explore race relations in America head on. His latest film BlacKkKlansman, which he directed and wrote, is no different….
Film Review: Logan Lucky (2017)
byIn 2001 Steven Soderbergh mastered the heist film with his suave and deceptively clever Ocean’s Eleven. But it only took him three years to forget…
Film Analysis: Scorsese’s Cinema of Religion
byThere is no doubt that Martin Scorsese is most renowned for his Italian-American crime dramas of the ‘70s and ’80s. It would not be surprising…
Film Review: Silence (2016)
byThe silence in the title of Martin Scorsese’s most recent film refers to the silence of the voice of God, when one is alone…
Film Review: Paterson (2016)
byNot that Jim Jarmusch went into hiding, but he’s back with a new film called Paterson. This film takes Only Lovers Left Alive’s meaninglessness…
Film Review: Midnight Special (2016)
byThough some may be familiar with the song ‘Midnight Special’ which references a train which shines its light through prison windows, for others it…