Film Review: Vice (2018)
byAs Julia Louis-Dreyfus lampoons so wonderfully in her show Veep, the Vice President’s office is notorious for being a powerless vanity title for political…
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Film Review: Arrival (2016)
byDenis Villeneuve is one of the most talented and exciting directors in contemporary cinema. In Prisoners he portrays vengeful parental anguish with a palpably…
Film Review: Nocturnal Animals (2016)
byNocturnal Animals opens with a jarring and disorienting sequence, one which is likely to fascinate and perturb viewers in equal measures. Middle aged and…
Film Review: Batman v Superman: Dawn of Justice (2016)
byRising from the dust of so many ruined cities, Batman and Superman meet to settle the score for thousands of 13 year olds posing…
Film Review: Big Eyes (2014)
byTim Burton’s films are usually dark, both visually and thematically, but Big Eyes sees the veteran director tone it down a notch. His 17th…
Film Review: Her (2013)
bySet in the not-so-distant future, Her takes place in a world where technology has come so far that operating systems have been programmed intuitively and provide services resembling human interactions and relationships.
Film Review: American Hustle (2013)
byCon movies are an old favourite of Hollywood. Immerging like clock work ever year with a star-studded cast of quick talking wise guys, glamorous girls, shinny backgrounds, fast-moving camera action and non-linier plots to keep audiences on their exhilarated heels. With American Hustle, director David O. Russell throws his hat in the ring of this long-standing genre.
Film Review: Trouble with the Curve (2012)
byClint Eastwood plays against type as a disgruntled, down on his luck, decaying old man. Okay, maybe less “plays against type” and a little…
Film Review: The Master (2012)
byFreddie Quell (Joaquin Phoenix) a WWII veteran turned drifting vagrant, wakes up on the ocean-liner of Lancaster Dodd (Philip Seymour Hoffman), a writer and…