Film Review: Mary Poppins Returns (2018)
byFew can deny the timeless appeal of the original Mary Poppins. Led by the legendary Julie Andrews in her feature debut, the 1964 classic…
Ben Whishaw
Review: National Theatre Live: Julius Caesar (2018)
byWhen it’s tempting to moan about how bad we’ve got it with our politicians, it pays to flick over the pages of history for…
Film Review: Paddington 2 (2017)
by“Mrs Brown says that in London everyone is different, and that means anyone can fit in.” That was Paddington Brown in 2014. Clearly Mrs…
Film Review: The Danish Girl (2015)
bySomething smells like Oscar bait. Or maybe it’s just Tom Hooper. The Danish Girl has more than a whiff of Hooper’s usual winning formula…
Film Review: In the Heart of the Sea (2015)
byThe story of the ocean is a vast one, full of monsters, heroes and gods. For millennia storytellers have drawn upon the behemoth resources…
Film Review: Spectre (2015)
byThere are going to be so many opinions flying around regarding the verdict on Spectre, I may as well give you a two-word review…
Film Review: The Lobster (2015)
byAfter the critical and commercial failure of American Ultra, which he penned, Max Landis went on a mini rant about the current movie landscape….
Film review: Paddington (2014)
byAfter more than fifty years, Michael Bond’s beloved children’s book character comes to life, and he is one adorable bear. Seemingly sticking quite close…
Film Review: Cloud Atlas (2012)
byVisually alluring and breathtaking, Cloud Atlas is a triumphant piece of filmmaking that left me wanting more. Which is, after all, quite an impressive and rare feat for a film nearly three hours in length.
Film Review: Bright Star (2009)
byBy James Madden. Viewed on 06/01/2010 There seems to be one image that the new Jane Campion film seems to be running with. And…