Film Review: Leave No Trace (2018)
byLeave No Trace is a new film by Debra Granik (Winter’s Bone), which has a similar exploration of a father and daughter’s relationship. Originally…
Cinema Nova
An Interview with Greg Sestero
byGreg Sestero. The beginning of his story isn’t atypical of many other aspiring actors trying to make it within Hollywood. But then, relatively early,…
Film Review: Midnight Oil: 1984 (2018)
byMidnight Oil: 1984, focuses on the year 1984, a time fans could tell you that the iconic album (no. 5) Red Sails in the…
Film Review: Gurrumul (2017)
byGurrumul is an Australian documentary celebrating the life of musician Geoffrey Gurrumul Yunupingu, who started out on the keyboards, guitars and percussion with Yothu…
Film Review: Loving Vincent (2017)
byVincent Van Gogh‘s life as an artist and crazy man is celebrated in Loving Vincent. Directed by Dorota Kobiela and Hugh Welchman this is the first fully painted animated film to use the same brush…
Review: National Theatre Live: Angels in America (2017)
by“In this world, there is a kind of painful progress. Longing for what we’ve left behind, and dreaming ahead.” – Harper Pitt, Angels in…
Film Review: Una (2016)
byAdapted from David Harrower’s play, Blackbird, Una directed by Benedict Andrews, is a film intended to push buttons. This is Andrews’ first feature and good…
Film Review: The Eagle Huntress (2016)
byAround the time of International Women’s Day, this Australian release is rather perfectly timed. Documentary The Eagle Huntress, directed by Otto Bell, narrated by Daisy Ridley, and…
Film Review: David Stratton: A Cinematic Life (2017)
byRemember that day when At the Movies finished on television and there was no more David and Margaret? It left a dark hole indeed. Their…
Film Review: The Coming War On China (2016)
byThe Coming War on China is a dry but humane look at the politics of war by journalist John Pilger, his 60th film for ITV, a free…