Film Review: Mary Poppins Returns (2018)
byFew can deny the timeless appeal of the original Mary Poppins. Led by the legendary Julie Andrews in her feature debut, the 1964 classic…
Colin Firth
Film Review: Mamma Mia! Here We Go Again (2018)
byBust out the champers. It’s time to party because Mamma Mia is back. With the stage musical returning to Melbourne just last week, it’s…
Film Review: The Mercy (2018)
byDirected by James Marsh, The Mercy is the story of Donald Crowhurst (Colin Firth), an amateur sailor who likes to head out on the…
Film Review: Café Society (2016)
byThere’s something a little off-putting about a Woody Allen film these days. His constant relevance (at least one project a year) means the conversations…
Film Review: Bridget Jones’s Baby (2016)
byIt’s been 12 years since Bridget Jones (Renée Zellweger) graced the big screen, and quite a bit has changed. Bridget returns in Bridget Jones’s…
Film review: Paddington (2014)
byAfter more than fifty years, Michael Bond’s beloved children’s book character comes to life, and he is one adorable bear. Seemingly sticking quite close…
Film Review: Magic in the Moonlight (2014)
byWe’ve seen Woody Allen do it all before. A cynical older man; an enigmatic and beautiful younger woman; and a picture perfect European setting….
Film Review: The Railway Man (2013)
byThe trauma of war often lingers long after the final shots have been fired and the final battle has been won. The Railway Man, directed Jonathan Teplitzky and with a screenplay written by Frank Cottrell Boyce and Andy Paterson.
TV Recap: Miss Fisher’s Murder Mysteries, 2×11
byThe beautiful singing Detective Jack (Nathan Page) and the wonderful Phryne (Essie Davis) at the piano singing ‘Let’s Misbehave’ was possibly the most awesome thing that has happened on Miss Fisher’s Murder Mysteries.
12 Days of Christmas Films: Love Actually (2003)
bySeeing a slight departure from the rest of the selected titles in 12 Days of Christmas Films series, Richard Curtis’ Love Actually sees the…