Film Review: The Children Act (2017)
byWritten by Claire Robson Originally published 19 November 2018 Ian McEwan’s penchant for fine storytelling is on display once more in The Children Act….
Love Actually
Film Review: Their Finest (2016)
byWritten by David Nagle Originally published 17 April 2017 Representation in film matters. Cinema is about exploring and sharing everyone’s stories. When the stories…
Film Review: Office Christmas Party (2016)
byWritten by Kendal Coombs Originally published 8 December 2016 Buoyed by the increasing cult status of such classic Christmas fair as Elf, Die Hard…
Film Review: Moscow Never Sleeps (2015)
byWritten by Angus Tonkin Originally published 7 November 2016 Just as short-story collections have become the go-to book release for the author having a…
Film Review: Maze Runner: The Scorch Trials (2015)
byWritten by Claire Robson Originally published 10 September 2015 The young adult science fiction/dystopian future thing is like, so hot right now, but the…
Film Review: Trash (2014)
byWritten by Claire Robson Originally published 28 April 2015 Raphael (Rickson Tevez), a Brazilian street teenager, spends his days sifting through mountains of trash…
Film Review: Harry Potter and the Philosopher’s Stone (2001)
byWritten by Angus Tonkin Originally published 18 December 2014 You may be a bit perplexed about the choice of Chris Columbus‘ adaptation of JK…
Film Review: The Family Stone (2005)
byWritten by Amy Taylor Originally published 17 December 2014 Christmas can often be about family, although not necessarily one’s own family. Christmas is often…
Film Review: The Little Death (2014)
byWritten by Chloe Sesta Jacobs Originally published 25 September 2014 The Little Death, the English translation of la petite mort – the French term for orgasm, follows…
Russian Resurrection Film Festival: Love with an Accent (2012)
byLove With An Accent could be considered Russia’s answer to Love Actually, comprised of seven short stories, Georgian writer/director Rezo Gigineishvili provides an extremely positive, albeit at times a little implausible, perspective on love.