Film Review: Annabelle: Creation (2017)
byAnnabelle: Creation has one of the biggest shocks any horror could deliver. It’s a sequel (well, technically a prequel) better than the original. Creation is…
Miranda Otto
Film Review: Dance Academy: The Movie (2017)
byPicking up eighteen months after the events of the last season, the movie adaptation of ABC series Dance Academy (2010-2013) sees Tara (Xenia Goodwin)…
Article: Lies and Contamination in The Daughter (2015)
byBased on Henrik Ibsen’s play The Wild Duck, The Daughter (directed by Simon Stone) is a brooding and gothic vision of life in rural Australia….
Film Review: The Daughter (2015)
byIn fictional worlds, there are no jolly returns to childhood homes. It can be accepted that, after a long absence, a man now grown…
Film Review: The Homesman (2014)
byFollowing his theatrical film debut as director a decade ago with the critically acclaimed modern western The Three Burials of Melquiades Estrada, veteran actor…
Film Review: I, Frankenstein (2014)
byHearing that the usually reliable Aaron Eckhart and Bill Nighy would be heading a mainly local cast in a reimagining of the classic Mary…
TV Review: Miss Fisher’s Murder Mysteries, Episode 1
byJust when we thought Law & Order, CSI and NCIS would suffocate our souls, the delectable Miss Fisher’s Murder Mysteries has come along to…
FAFA: The Last Days of Chez Nous (1992)
by“Interior dramas” became a buzz word in discussions surrounding film funding policies a few years ago. Typified as a genre set in the suburbs,…