Film Review: The Favourite (2018)
byIn modern filmmaking there are few directors who have stamped as unique a footprint as Yorgos Lanthimos. This idiosyncratic Greek is impossible to ignore,…
Rachel Weisz
Film Review: Disobedience (2017)
byHot on the heels of his recent Best Foreign Language Film Oscar win for A Fantastic Woman, Chilean director Sebastián Lelio writes and directs…
Film Review: The Mercy (2018)
byDirected by James Marsh, The Mercy is the story of Donald Crowhurst (Colin Firth), an amateur sailor who likes to head out on the…
Film Review: My Cousin Rachel (2017)
byBased on the 1951 novel by British author Daphne du Maurier, Roger Michell adapts and directs My Cousin Rachel. This story is both a…
Film Review: Denial (2016)
byDonald Trump and his “fake news” catchcry has recently forced the media and public into a discussion on truth and objectivity. But Trump and…
Film Review: The Light Between Oceans (2016)
byEach day we make choices. Perhaps they are mostly simple choices, but they are choices nonetheless. Sometimes we are forced to summon our inner…
Film Review: Youth (2015)
byAfter his Oscar winning critical darling The Great Beauty, Italian writer/director Paolo Sorrentino delivers another masterpiece with Youth, a meditation on what it means…
Film Review: The Lobster (2015)
byAfter the critical and commercial failure of American Ultra, which he penned, Max Landis went on a mini rant about the current movie landscape….
Film Review: Oz The Great and Powerful (2013)
byThe yellow brick road might look better than ever, but there’s no charm or substance here. The 3D facto does not add much to the experience and you will find yourself fidgeting and looking at your watches not long after we touch down in Oz.
Film Review: The Bourne Legacy (2012)
byIn a world of reboots, sequels and reimagining’s it comes as no surprise that a Bourne film without Matt Damon would hit the big…